Tuesday, June 22, 2010

Photography - Did You Know?




Photography is painting with light! It's been said that photography is the one art where you don't need to go to school, nothing separates the pro from the amateur other skill a keen eye or the right moment. Give a camera to a child and they've cracked it, give the same child a keyboard and they'll get back to you in due time.

Most photographs are created using a camera , which uses a lens to focus the scene's visible wavelengths of light into a reproduction of what the human eye would see. The process of creating photographs is called photography .

The great thing about photography is its outward focus (puns and semi-puns are so hard to avoid) on the world around us, not the art itself. Moving from hobby photography to professional photography is a big jump. It's a jump not just because your ability to pay your mortgage and feed your family will now depend entirely on your talent with a camera and your skills at marketing those talents.

For me photography is about "collecting" experiences and allowing myself to be more than a fly on the wall in my subjects' lives. I don't think photography is dead, I think photography is an extremely young art form. I also look at the history of photography and see that many of its milestones have been based on the technology of the time.

Photography is going through an exciting transition period as many film photographers are beginning to explore the new capabilities made possible with digital cameras. Traditional aspects such as the fundamental techniques and lens equipment have remained the same, however others are markedly different. Photography is acquired when weather conditions, sun angle, and, when applicable, water levels are optimal to ensure that photographs will be suitable for a variety of purposes using standard photogrammetric techniques.

Natural light in photography is crucial if you want to take great portraits. Many assume this means the time of day in which she can shoot her portraits is limited. Photography is used to preserve memories of favorite times, to capture special moments, to tell stories, to send messages, and as a source of entertainment. Photography is an art of particularity, but this doesn't mean that photography must be from "outside in. If photography has too much natural accident, it will hardly carry visual dynamic. But if it has too much photographer intervention and manipulation of the subject, it will paralyze the expression of the subject's essence.

Once you've gotten your head around this and started shooting a few pictures, you might find that photography is quite fun and interesting. At first glance it would seem that unless you are a full-time adventure athlete, adventure photography is something that you will have little opportunity to apply yourself to? However, nothing could be further from the truth. When learning how to shoot action photos, there are many ways you can begin practicing and honing your skills when you are far from the mountains or wild rivers.

Some are able to select a wonderful location to shoot along with having the "artistic eye" to use the natural backdrop to obtain the best photographs possible. Pinhole photography is great fun and it can be the most serious kind of photography. There is the freedom from vying for the latest and the greatest the industry has to offer, and the freedom from the delusion that technically ever more perfect equipment is required for great photography.

Remote photography is used to learn more about things like bears' use of naturally-occurring bear rubs and how they respond to baited hair traps. Information from this work will be used to improve sampling methods and understand bear behavior. Photography is all about selection, first through the viewfinder and second when you look at the results. As long as there's selection involved, there's room for art - if the artist can pull it off. Good photography is all about seeing.

Input relating 'classical' portraiture to photography is not so easy to find. Though we may not want to take this kind of photograph, it still seems that we could learn a lot from the kind of discussion given here. Photography is also increasingly asserting itself on the auction block as an important investment. And its prices in the galleries and at the major fairs reflect its serious status. Photography is finally escaping any dependence on what is in front of a lens, but it comes at the price of its special claim on a viewer's attention as "evidence" rooted in reality. As gallery material, photographs are now essentially no different from paintings concocted entirely from an artist's imagination, except that they lack painting's manual touch and surface variation.

Underwater photography is becoming an exciting field of unexplored areas. Other photographers specialize in areas such as portrait, commercial and industrial, scientific, news, or fine arts photography. Photography is a customer service business. Whether you need family portraits, pet portraits, events coverage or complete wedding packages.

The most compelling part of digital photography is the idea of showing pictures to people wherever they are, as long as they are in front of a computer connected to the Web.

The overwhelming majority of older photographs are catalogued under the term "albumen prints" - the most common type of 19 th-century photographic print. Additional headings are assigned describing the typical cardboard mounts to which these images are attached - stereographs, cabinet card photographs, and cartes-de-viste.

Finally, If you plan on working with older photos, establish handling procedures and adhere to them whenever photographs are being used. View photographs in a clean, uncluttered area, and handle them with clean hands. Most 1860s-90s paper photographs are albumen. Even non-collectors associate horse-and-buggy and Old West images with the soft, sentimental tones that were produced by the albumen process. If only photographs are stored in a given area, 30-40% RH is best. If photographs are stored with paper, parchment, or leather materials, it may be necessary to maintain 40-50% RH to avoid placing unwanted stress on non-photographic materials.

Leo Pierson lives in Kentucky with his wife, five children and six cats. He helps people use simple technologies to save fuel. See this technology and get free information from his site at: http://www.NoMoreFuelCosts.info

Article Source: http://EzineArticles.com/?expert=Leo_Pierson

Photography Tip- Total Breakdown





Recently, I had an appointment for a photography shoot with a wonderful family. We made plans to meet at the lake for their yearly family photo shoot. As usual I got there well before the family was scheduled to arrive so I could set up the equipment and be ready to go.
The family of five and one pair of grandparents pulled up in a black Hummer. I introduced myself and as we were walking to the lake, Mrs Weber said to me I love pictures, my husband let's me buy whatever I want. Do you sell photo gifts? I got a little spring in my step and answered, "yes we have a variety of cool things like photo mugs and puzzles you can see our full selection when you order." Then she said she wanted a close-up portrait with Lake Tahoe behind her for her blog. I said, "just go with the flow!" Now I'm thinking to myself, it's time for a Total Breakdown!

* I started with a photo shoot of the entire group of seven. We did a few different poses and I shot a ton of photos. Then, I broke it down!
* I had the grandparents step out of the picture and photographed just the family of five. We had fun shooting poses for the family portrait and did some creative and traditional portrait photos. Then I broke it down again!
* I had Mr and Mrs Weber step over with the grandparents out of the picture, who by the way were throughly enjoying the entertainment, but the best was yet to come, the kids were next! They were great fun, so I got wild and crazy shots with them. We did a ton of cool shots. What now? Break it down!
* I shoot three or four quick shots of each kid. I'll do a standing full length pose. Some mid and close-up shots and something unique and different for each kid. Another breakdown? You bet! I'll keep going till they beg me to stop! Why do you think I sell so many pictures?
* I had grandma and grandpa step-back into the beautiful outdoor studio overlooking the lake. I shot a wonderful photo of the lovely couple, then breaking it down again, I photographed grandma and grandpa separately.
* Next, I had Mrs Weber join her mom and dad (grandma and grandpa) for a photo of her together with her parents.
* Now your thinking what else can you do with this? I had grandma and grandpa exit-stage-left and photographed mom by herself, remember she wanted a head-shot with the lake in it for her blog bio photo?
* Wow!!! We still don't have a shot of mom and dad together! So I have dad come over and join mom. The couple is easy to work with because now they are in sync with my flow. We capture some gorgeous pictures of them.
* I wrap up the shoot with some handsome photos of dad by himself.


I could have kept going all day, but the kids are climbing trees in their nice clothes and mom... So I call it a wrap! The key to The Total Breakdown Method is transitioning from one combination of subjects to another quickly and smoothly without interruption. With an attitude of professional confidence go from one pose to the next.

The Don't ask! Do Tell Policy states that you never ask a client if they want a break down! If you display skill and confidence, clients will allow you to do your job and take control. For instance "Mom-n-Dad, please step to the side, I'm going to get some pictures of the kids". And that's what happens. If I had asked Mrs Weber "would you like to get a photo of the kids" she may have said no, after that, I'm in the situation of getting every photo approved and I don't want Mrs Weber to decide on whether or not to get an image, until we are looking at them on the monitor on the sales floor or at our online photo sharing pro gallery!

If you use this photography technique with every group, you should see an increase in image sales. If you haven't been doing any breakdowns, the increase in photography sales could be substantial. By the way, Mr Weber slipped me a very generous, "thank you" after the family photo shoot and said I did a great job! In addition they spent well over $1000 on photos.

Brandon is a professional digital photographer from Lake Tahoe, California. Brandon specializes in on-mountain action and portrait photography during the winter months, photographing skiers and snowboarders on the slopes. Brandon also has a digital photography website which is full of excellent techniques, products and services. Including tips to help you create your own impressive online gallery, with flashy photography templates that are designed for serious photographers.

Article Source: http://EzineArticles.com/?expert=Brandon_Baumgarten

Tips And Advices For Selling The Photos Online


Publish Post

1. Be patient!

Be prepared that as a biginner you'll need some time till the system beginn to "count with you", till other people start to evaluate your photos ... generally sait till the community of the photobank notices you. Don't sway yourself and keep uploading. You should keep in mind that once the photos are uploaded they just wait to be downloaded. No more work with them, you just pick the fruit of your work :-))

My personall experience is that first two months were poor, but step by step it became to be better. My photos (and you can see the photos can shot EVERYBODY) started to generate 100 USD per month after some 4-5 months. It is not too much, but it is growing, and imagine this in 4-5 different photobanks ...

2. It is better to make good shot than work on it in Photoshop

Most of the photobanks are sensitive to rotouching, upsizing, overfiltering or other touches to your photo. So I'd say that it's better to spend more time while shooting than later modify it in comp.

3. Use EXIF/XMP/META data for describing the photos

Many cameras already embed data in your photos, using the EXIF portion of the JPEG header. The big benefit of EXIF is that the data stays with the photo - link the photo to a web page and it's there, email the photo to me and the EXIF data gets emailed too.

By far the most common and most standardized embedded image information is EXIF, short for Exchangeable Image File format. Today nearly all digital cameras embed EXIF information in each image. This information usually includes dozens of parameters that describe the shot such as the shutter speed (1/250 for example), the aperture (f/2.8 for example), date/time of the shot, flash on/off, ISO equivalent film speed, and many more. In addition to shot-specific information, there are also many fields that get repeated from shot to shot such as the camera manufacturer, camera model, lens type, firmware version, etc. Information such as shutter speed and aperture can help in diagnosing problems such as motion blur, depth of field issues, etc. If you are not familiar with these terms and you tend to point-and-shoot most of the time, these fields may be less useful to you. Some information, however, such as the date and time of the shot can be useful to everyone since file dates get changed and almost never indicate the date and time that the actual picture was taken.

So if you add keywords, title and description to your photos the photo will be read with each photobank's system and will fill the data online automatically. That saves you a lot of work, because you don't need to add it manually for each photo. There are many software to do it, I prefer to use Adobe Stock Photos.

4. Title, description and keywords write in english

Usually the photobanks translate the keywords to all other languages the photobank uses, so there is no need to use the same word in different languages.

5. The most important are keywords, not categories

Keep in mind that most of the designers look for photos using keywords. Most of the photobanks force you to add the photo to categories, but don't spend too much time with this - select one. It is not that important than keywords.

6. Be very precise when adding keywords

Keywords are the most important information you can provide to help users find your images. While people often know the specific subject they are looking for, concept keywords may help to inspire the end-user to choose your images to represent the idea. Keywords are usually closely reviewed in the inspection process.

Your photos from holidays, vacations, travels or life can earn you lots of money! Need proof and guide? Check http://www.sell-photo-online.com

Article Source: http://EzineArticles.com/?expert=Maros_Markovic

Your Photos From Holidays Can Earn Money




In this time period of digital cameras, high quality scanners, and other such available software, an amateur and non-professional photographer can easily sell his photos online using the internet. The system is very easy: Upload your photos to any commercial photobank and if anybody buys (downloads) your photography then you will receive money! Of course, the larger and higher quality the photograph, the greater chance it will have to be downloaded (and more downloads mean more money!)

For a long time, the contributors of every photobank in the world have been professional photographers. Lately however, amateur and non-professional photographers have been joining the ranks (and statistically even more) of photo bank contributors. Each photobank is specific. Each one has a different criteria for acreditation of photographers, as well as varying rules for placing the photos etc. This website is here to help you to understand all of the business involved in photobanks, and to give you a chance to earn money with even your routine photos from holidays, travels, and your daily life.


Photobanks want your photos! Submit your photos to photobanks (yes, the same photos to many photobanks) and get paid every time one of your photos is downloaded. But who's downloading the pictures? Web designers, magazine editors, and other graphic artists purchase monthly subscriptions to photobanks just to download photos from their sites.

Read about the most important photobanks on internet and learn how to become an acredited photographer, how to pass the exams, how to contribute, and how to receive your money earned from your photos!

Your photos from holidays, vacations, travels or life can earn you lots of money! Need proof and guide? Check http://www.sell-photo-online.com

Article Source: http://EzineArticles.com/?expert=Maros_Markovic

Monday, June 21, 2010

On The Way: Foundry Photo Workshop

Photo © Guy Calaf-All Rights Reserved

Well, after a few days of intermittent internet service at our hotel in Kadikoy, Istanbul, it seems we're back to full time availability.

The Foundry Photojournalism Workshop has started in full blast, and it's amazing to see so many various nationalities amongst the students. Different languages different styles perhaps, but all connected by a common denominator: photography.

A splendid cast of instructors (some veterans of the workshop, others new), bringing their personal styles into the mix, and surely there'll be awesome projects and results. My class has met a couple of times already (n fact, I must rush to give my second class this morning), and projects range from documenting traditional religious rituals to the local hip-hop scene. So it's bound to be an exciting few days.

The above photograph was made while waiting for our ferry crossing from Eminonu (European side) to Kadikoy.

Friday, June 18, 2010

WSJ Photo Journal: Sufi Anniversary

Photo © Deepak Sharma/AP-All Rights Reserved

The WSJ's Photo Journal has featured the above photograph by Deepak Sharma (AP) of Pakistani pilgrims carrying an offering of embroidered cloth (which I believe is called kiswa) to cover the tomb of Sufi saint Khawaja Moinuddin Chisti on the anniversary of his birth in Ajmer, India.

I should have been there!!! My kind of event!

Shaikh Khawaja Syed Muhammad Moinuddin Chisti was the most famous Sufi saint of the Chishti Order of the Indian Subcontinent. He introduced and established the order in South Asia, and was succeeded by various notable saints such as Nizzam Uddin Auliya.

I've never checked on this, but Khawaja in Egyptian Arabic means "foreigner", and was used as a title for all Greek and Italian residents (as an example) in Egypt, so I'm not sure if there's a connection or not. Wikipedia defines Khawaja as a title used by South Asians, which is possibly related to Khoja as well.

Matthieu Paley: The Pamir Mountains



Here's a 6 minutes trailer from a multimedia documentary "Forgotten on the Roof of the World" by photographer Matthieu Paley and anthropologist Ted Callahan that tells the story of a little-known tribe of Kirghiz nomads in one of earth’s most remote regions - Afghanistan’s High Pamirs mountains.

The full documentary will be screened by Matthieu at the Royal Geographical Society (Hong Kong) on Tuesday 22nd of June.

Matthieu Paley is an Asia-based (currently based in Hong Kong) photographer specializing in editorial and documentary photography. His work appeared in Geo, National Geographic, Newsweek, Time, Outside, Discovery and various others.

Thursday, June 17, 2010

Think Tank Multimedia Buyer's Guide

Photo Courtesy Think Tank

I don't have any Think Tank products (except for its see through bag for cables and stuff), but I must say that it's one of the companies that seems to be in lock-step with the industry's evolution with multimedia.

Here is it's latest effort in the multimedia field which is the Multimedia DSLR Buyers Guide. It's essentially a fluff piece about various products that can be used by photographers as additional tools for story-telling purposes. While some of the information is pretty basic, I found it quite useful when I got to the Accessories and Wired It Up sections. Naturally, Think Tank also lists its various bags as "must-haves" in the guide, and deservedly so.

As readers of this blog know, I do not advertise products of any kind, unless I've tried and liked them. I haven't tried Think Tank bags but I like what it's doing with its product line. Otherwise, I have no relationship of any sort with it.

Tuesday, June 15, 2010

Istanbul-Bound


I'm on my way to attend the Foundry Photojournalism Workshop in Istanbul, where I'm giving a class on multimedia (Introduction To Multimedia). The class will adopt a simulated under pressure work environment where class participants have to shoot, edit and present their photographs and audio tracks to me, to eventually produce a publishable 3-5 minutes audio slideshow.

I'm stopping over in London for a couple of nights, then catching a flight to Attaturk Airport on the 19th June.

I will try to post on this trip as much as I can...perhaps even post some photographs of the workshop's going-ons. I'm taking my new Panasonic Lumix GF1 especially for that purpose. I'm also hoping to shoot for a personal project in Istanbul.

NYT's LENS: A.K. Kimoto

Photo © A.K. Kimoto-All Rights Reserved

The New York Times' LENS blog features a poignant photo essay on opium addiction in Afghanistan by the late A.K. Kimoto. The photo essay is in black & white; dark and brooding as befits such a subject matter. See it...I highly recommend it, along with its accompanying article.

Kimoto was a 32-year-old Japanese photographer based in Bangkok, who died in March while traveling to Australia.

He spent years photographing families in the remote northeastern mountains of Afghanistan, controlled by the Taliban. He roamed remote settlements in Badakhshan, Afghanistan, to find out why so many of the inhabitants (even the young) had become addicted to opium. As Emily Anne Epstein explains in the piece: "The poverty in this region is so harsh that parents blow opium smoke into their children’s noses to soothe the pangs of hunger."

A.K. Kimoto wrote:
“I offer to transport the mother and child to a clinic. One of the elders cuts me off before I can finish my thought. He smiles gently as he tells me that the child would never survive such a journey in the cold rain, and anyway, this way of life and death have been repeated for centuries in these mountains.”
Coincidentally, the New York Times reported yesterday that the United States has discovered nearly "$1 trillion" in untapped mineral deposits in Afghanistan, which translates into approximately $35,000 for every inhabitant of the country. Naturally, massive investments will be required to mine these deposits, but in any event there's little chance that the poor of Badakhshan will see their lives improve from this eventual wealth. Cronyism, and venal corruption are endemic to the region...and only those with the power and connections will reap the benefits.

Trevor Snapp: La Santa Muerte

Photo © Trevor Snapp-All Rights Reserved

Trevor Snapp is a self-taught photographer with degrees in anthropology and African studies, and his work is syndicated with Corbis and Millennium Images. His clients include Stern, National Geographic Traveler, BBC, Time.com, Chicago Tribune, Marie Calire and others. He has also worked for a variety of NGOs such as Heifer International, Gates Foundation, and Intrahealth in Africa.

Now based in Kampala, Trevor photographed La Santa Muerte in Mexico, among other galleries of Central Amercia

The cult of Santa Muerte is unusual because it's the cult of the drug lords, the dispossessed, and criminals. There are many shrines to Santa Muerte in the capital city, but Tepito is where the most popular shrines are. Tepito is an infamous barrio and its tough reputation dates back to pre-Hispanic times. The neighborhood is a warren of mean streets and alleys, lined with auto-body shops and small stores. It's here that the prostitutes, drug dealers and petty thieves come to pay their respect to the saint. It's also where the common folk; housewives, cab drivers and street vendors come to make their offerings...tequila bottles, candles, money and flowers.

The gallery strikes a chord with me since I photographed in Tepito in 2008, along with two other photographers, when we were within a hair's breadth of being mugged.

Monday, June 14, 2010

The Daily Beast: Veronique De Viguerie

Photo © Veronique de Vigurie-All Rights Reserved

One of my favorite photojournalists, Veronique de Vigurie, was featured on The Daily Beast blog in an article/interview titled The Bravest Photographer.

Veronique de Viguerie is based in Paris and, at the age of only 32, has already won prestigious awards including Canon’s coveted Female Photojournalist of the Year Award in 2006. Her photographs regularly appear in Newsweek, The New York Times Magazine, Marie-Claire, and The Guardian.

She's known for her empathy with her subjects, and that trait got her in hot water in 2008 when she photographed a group of Taliban fighters who had killed 10 French soldiers. Paris-Match published her photographs, and her critics accused her being used to spread Taliban propaganda.

I recall writing about this, and suggesting that if anyone was to be accused of anything, it should have been the Paris-Match editors.

The article quotes Régis Le Sommier, deputy editor in chief of Paris Match, that he believes de Viguerie is "one of the most daring and promising photographers of her generation."

More of de Viguerie's images are on Getty Images Reportage website.

Sunday, June 13, 2010

Greater Middle East Photo

Photo © Manal Al Dowayan-All Rights Reserved

Finally!

Someone came up with the timely idea to publish a photography blog titled the Greater Middle East Photo blog, with the commendable intent to provide space for photography from a region which is sadly under represented.

This new blog hopes to be a facilitator of great photos, great photographers, and great minds discussing photography from the greater Middle East. I hope so as well. The Middle East has been lagging behind in terms of photography, and this blog will perhaps be an added venue to showcase more of its talent.

The photograph above is by Manal Al Dowayan; a photographer who lived for most of her life in a semi-enclosed compound in Daharan in the Eastern Province of Saudi Arabia. Much of her work is about female identity in the conservative Muslim Middle East. The photograph above is titled "I am an educator", while the writing on the slate reads "ignorance is darkness" repeated many times. Her work is featured on the Greater Middle East Photo blog.

Note: My apologies for the shorter blog posts in the coming few days as I'm behind schedule in preparing my class material and presentations for the Foundry Photojournalism Workshop in Istanbul this coming week.

Saturday, June 12, 2010

Joey L. : The Mentawai (The Movie)


Here's a highly recommended 16-minute long movie documentary of Joey L.'s (and his team) excursion into the land of the Mentawai. It starts with the 10-hour crowded cargo ferry ride from Sumatra across the strait to the islands of the Mentawai, approximately 150 kilometers off the Sumatran coast.

The excursion took 2 years to plan and prepare, and we are treated to a behind the scenes look at the photo shoots along with snippets of the Mentawai's life. The amount of gear that Joey and his team had to carry was quite significant. This is not a destination where you show up with a couple of cameras and flashes. They had to lug heavy lighting equipment, large reflectors and lightboxes, cameras, lenses, video equipment, generators, food and so forth.

The most visible Mentawai tribesmen in the documentary are Bajak Tarason and Bajak Tolkot, who seem to have a pessimistic view of the Menatawai's future. They address the interference of the Indonesian government in their ancient tribal customs, and of the Christian missionaries who seek to change their belief system.

It's Bajak Tolkot who invites the world to visit the Menatawai islands, to witness their way of life before it's too late. I really hope very few people take him on this invitation. I realize that an influx of tourists could bring a much needed infusion of prosperity to the Mentawai, but it would also accelerate the demise of their way of life, or turn them into performers; wearing their loin cloths and brandishing their arrows for the tourists' cameras.

In the documentary, I've seen young Mentawai wearing graphic t-shirts, including one of Donald Duck, posing next to a traditional Mentawai tribesmen. So the infiltration has already started, and not before too long, the baseball caps will appear as well. It's a shame that similar cultures and traditional ways of life can so swiftly disappear.

My thanks to Cathy Scholl for the heads-up on this movie.

In The Shadow of Everest At RMA

Photo © Tom Wool-All Rights Reserved

The Rubin Museum of Art in New York City is showing the photographs of Tom Wool in an exhibition In The Shadow of Everest, which runs until July 26, 2010.

Coming from a fashion photography background, Tom Wool has devoted himself to work for humanitarian organizations. Using a medium format Hasselblad, he photographed Tibet's Rongbuk Valley and its inhabitants in May 2001.

The valley stretches about 30 miles from the base of Mount Everest on the north side, and is home to some 3,000 Tibetans. It's considered sacred, with deep religious connotations to the Tibetans. The valley is home to the Rongbuk Monastery, the highest of any in the world at 17,000 feet above sea level.

Friday, June 11, 2010

Fons Rademakers: Haridwar Kumbh Mela

Photo © Fons Rademakers-All Rights Reserved

I've featured so much work from various photographers, and seen so many photographs of the Nagas and pilgrims here and elsewhere, it's as if I've been there myself. I'm pretty sure these photographers who were at the Kumbh will either recognize each others work, or recognize the subjects.

However, here's the work of Fons Rademakers who's a physicist working at CERN (European Organization for Nuclear Research) in Geneva, where the largest particle accelerator is operated and where the World Wide Web began as a project. Fons leads a software project that provides programs for data processing and analysis, but started his connection with photography when 12 years old, and regards it as his passion next to physics and computing.

I would recommend to Fons that he ought to consider moving his many other photo galleries from SmugMug to his own website. They're certainly worth showing in a more professional medium.

Thursday, June 10, 2010

John Batdorff II: Peru


It runs in the family, as they say.

John Batdorff II is the son of two avid photographers, and it was only natural that he was "infected by" the same passion. Based in Chicago and in Ennis (Montana), John developed his craft early on by photographing for his family's newspaper, and enhanced it by specializing in landscape and travel photography.

His work has been exhibited in museums and featured in various publications.

While John's galleries include one of India, I'm bucking my own trend this time and featuring his work of Peru.

Wednesday, June 9, 2010

Revamp: The Travel Photographer's Website


It took a while, but I completed setting up two websites based on the popular WordPress F.8 theme that will run in parallel to my current website.

The first WordPress-based website contains 15 photo galleries, which are also iTouch and iPad-compatible.

The second WordPress-based website contains 8 audio-slideshows.

The Travel Photographer's original HTML/Flash-based website still remains as is.

POV:The Future of Travel Photography Gear?



Yes, I caved and got an Voigtlander 40mm optical viewfinder for my Panasonic GF1. It's well suited to the Panasonic 20mm 1.7 lens.

But this is not about the viewfinder or how much better the GF1 feels with it...it's about the above 'minimalist' gear which is an option when I'm planning an assignment or a photo trip. I can have all this in a small Domke bag, and have spare room for a book, an audio recorder, an itouch and lots more.

Imagine the bliss of having all one's gear in a small and light bag!!!

Here's a statistic: The combined weight of the GF1, the Acer netbook and a WD Passport hard drive (from their individual listed specifications) is 3.8lbs. The combined weight of a Canon 5D Mark II and a 24-70mm 2.8 lens is 3.9lbs.

Am I contemplating chucking out the DSLRs and lenses? Not at all. What I now have available to me is equipment which, depending on the nature and duration of the trip and/or assignment, is a viable alternative.

The easy one first: the WD Passport 750gb is small and worked well so far. It may not be as tough as a Lacie Rugged, but it's functional, provides ample storage and is inexpensive.

The not-so-easy: I've used the Acer netbook on 3 or more photo expeditions, and it also did okay. However, its Windows XP software is a major irritant, and its Atom processor is really sluggish. I seldom have it process any image files, and just use it to save my RAW files on its 160gb hard drive and on the WD Passport. An eventual alternative to the Acer could be an iPad, if and when it allows connectivity to an external HD.

Another not-so-easy: The GF1 is a delight to use, and the quality of its images is almost as good as from an entry-level DSLR....but almost is the key word. Having said that, it's still a lovely tool to use on walk-abouts, for environmental portraits and as a back-up. It'll be very useful in situations where photography may be frowned upon (like religious rituals) or where one doesn't want to be labeled as a professional photographer.

I'll be taking the GF1 (along with my Canon gear) to Istanbul in a couple of weeks, and will further test its walk-"aboutability".

Tuesday, June 8, 2010

Mark Thomas: Haridwar Kumbh Mela


Here's another feature from the recent Kumbh Mela which was held earlier this year in Haridwar, North India.

This body of work by photographer Mark Thomas is titled Kumbh Mela 2010, and is mainly of portraits he made during that religious event.

Mark Thomas is a photojournalist and a multimedia expert, whose work appeared in various publications, including The Boston Globe and National Geographic News. He professes a deep passion for documenting and photographing India.

His Kumbh Mela 2010 gallery consists of portraits of naga babas, the ash-covered sadhus who belong to the Shaivite sect, as well as pilgrims.

Mark's website has other Indian-centric galleries such as Faces of Kashi, Visions of Kashi and Child Labor.

A worthwhile website to bookmark for Indiaphiles.

Monday, June 7, 2010

Jehad Nga Talks to BJP

Photo © Jehad Nga-All Rights Reserved

"I respond more to fashion and fine-art, carrying these fields and variables in photojournalism." -Jehad Nga

The British Journal of Photography (which revamped its website) published an interview with Jehad Nga, one of my favorite photographers. This blog featured many posts on Nga, and his distinctive chiaroscuro style.

Titled From Kansas To Nairobi, the recent interview sheds a light on Nga's decision to join the Institute for Artist Management instead of VII and Magnum.

Nga first visited the Middle East in 2001 spending months in different medical volunteering positions in Gaza. When he interned at Magnum Photos in 2002, he was also training to become an Emergency Medical Technician. But since 2004, when he moved to East Africa, he's been dedicating most of his time to photography, working regularly for the New York Times.

Via photojournalism links

Kate Baumgartner: Religious Asia

Photo © Kate Baumgartner-All Rights Reserved

Kate Baumgartner describes herself as an avid photographer, and that may well be an understatement.

Based in Hong Kong, she photographed to Cambodia, Burma, India, China, Namibia, Singapore, Sri Lanka and Vietnam...returning with splendid photographs, like the one above of the Cao Dai monks. Cao Dai is the relatively new, syncretist, monotheistic religion established in 1926 in Vietnam.

Take a look at Kate's gallery of photographs under the Religion category, and you'll find many of the different faiths and traditions of Asia, including the unusual rituals during the Thaipusam festival in Singapore, which is celebrated mostly by the Tamil community. On the day of the festival, devotees will shave their heads and undertake a pilgrimage during which some will engage in self-mortification by piercing their skin, tongue or cheeks with skewers.

Sunday, June 6, 2010

Test Shots: Panasonic GF1 + 20mm f1.7 Lens

Photo © Tewfic El-Sawy-All Rights Reserved

Photo © Tewfic EL-Sawy-All Rights Reserved

Here's a couple of "on-the-go" photographs made with my brand-new Panasonic GF1/20mm 1.7 lens on Bleecker street in NYC's West Village. There was a couple of garbage bags on the sidewalk which I had to frame out of the top photograph by chopping off the woman's shoes. The second is of a woman balancing 4 (actually 5, I think) lemonades and seemingly on collision course with another...it didn't happen.

I shot these with the GF1's Intelligent Auto mode on; essentially the "point & shoot" mode, which I'm using for a couple of days until I get used to its handling. The IA mode allows me to photograph in both RAW and jpeg. The images above are the jpeg versions (out of the camera), and were slightly sharpened with CS. Click on them for a larger size.

In my opinion, the GF1 is a hybrid between a point & shoot and a rangefinder, and is ideal to carry on photo walk-abouts. It's probably a camera that P&S shooters will consider as a step-up, while DSLR users will view it either as a backup or as a carry-around tool. The shutter lag isn't too bad...in fact, I didn't find it to be much of a problem. It's there, but it's not significant.

It still bothers me not having a viewfinder (a Panasonic EVF or Voigtlander OVF may be my next purchase) to look through, but perhaps I'll get used to it. One of the notable advantages of this camera is, when photographed, people don't seem fazed (or threatened) by it as compared to a DSLR.

I carry it on a hand strap, and I find that it doesn't nestle easily in my hand. Maybe I'll get used to it in a few days.

Am I in love with the GF1? Not yet...I like it, and getting used to it...but it's not love (yet).

Saturday, June 5, 2010

Paolo Evangelista: Zanzibar

Photo © Paolo Evangelista-All Rights Reserved

Paolo Evangelista holds degrees in music and anthropology, but decided to pack his bags, his espresso machine (after all, he's Italian) and his cameras to live in Australia for a while. Currently based in Perugia, he traveled to Zanzibar where most of his galleries are of.

Most interesting are Paolo's street photographs in Stone Town.

It's the old city and cultural heart of Zanzibar, where nothing much has changed in the last 200 years. Its winding alleys, bustling bazaars, lovely mosques and typical Arab houses are exquisite backdrops for this sort of photography. Its name conjures sea traders, explorers, Sultans and the fragrance of exotic spices. It was also declared a World Heritage Site by UNESCO.

Also of interest to me is Paolo's gallery of Sydney's Chinese market, since I photograph in New York Chinatown.

Friday, June 4, 2010

MSF's Starved For Attention


"this year 195,000,000 children will suffer from malnutrition"
and so starts “Starved for Attention” the extremely well produced multimedia campaign by Doctors Without Borders/Médecins Sans Frontières (MSF) and VII Photo which exposes the neglected and largely invisible crisis of childhood malnutrition.

The campaign aims to present a series of multimedia documentaries of still photography and video from the well-known photojournalists at the VII Agency, such as Marcus Bleasdale, Jessica Dimmock, Ron Haviv, Antonin Kratochvil, Franco Pagetti, Stephanie Sinclair, and John Stanmeyer.

The first multimedia reportage is titled Frustration and is by Marcus Bleasdale, who narrates it out of Djibouti.

Bookmark this website, since the remaining reportages will be featured over the course of the coming months.

For more background on the project, JournalismNow features an interview with Ron Haviv, which touches on his work in Bangladesh for Starved For Attention.

New Handheld Recorder Zoom H1

Photo Courtesy Samson Audio

Ay...I hate innovation. Well, not really of course, but a new (and occasionally improved) gadget always turns up a few months after a purchase, and this is annoying. Why can't the stuff I buy stay fresh and on the cutting edge of things all the time?

I'm kidding...sort of. But here's the H1, a new handheld audio recorder from Samson Audio, which may not have the top of the range recording schemes, but is a handy portable stereo recorder at an unheard-of $99 price.

It's supposed to give you 10 hours of battery life on a single AA cell, and can accommodate up to 32GB of removable microSDHC storage. Its microphones are configured in an X/Y pattern for optimum stereo imaging.

At this price (and assuming its performance is as good as Samson claims), it'll be a hit for entry-level multimedia photographers, and perhaps many others. It's available on July 30th, so keep your eye on it if you're in the market for a low cost handheld recorder.

I've read Samson's blurb, but didn't find the accessory on the H1's list that allows it to be set on top of a DSLR's hot shoe as shown in the above photograph. The H1 has a tripod mount on its back, so this doodad connects it to the hot shoe.

Thursday, June 3, 2010

Interview: The Travel Photographer on the Matador Network


In a new series on Matador Network's Notebook which features periodic interviews with professional photographers, MatadorU faculty and travel photographer Lola Akinmade caught up with me to discuss my perspectives on travel photography, and my insights on the industry as well as on my photo~expeditions. You can also leave your comments if you wish.

Read the interview, in which I confide that
"it was almost like having two personalities; one being a “starched” banker during workdays, and a more relaxed personality befitting that of a travel photographer during the weekends."
I have a bunch of other interviews, which are listed under My Other Websites on the right.

Wednesday, June 2, 2010

Got it! Panasonic GF1 + 20mm f1.7 Lens

Having lost patience with Amazon's delivery system, and the fact that its delivery was now estimated to be between June 1 and June 14, I called yesterday and canceled my order. The customer service lady was extremely pleasant and nice, making me feel somewhat guilty for a while.

My guilt didn't last too long after I saw that Adorama had a Panasonic GF1 with a 20mm/F1.7 for $847 excluding NYC tax, but including some stuff like an 8 GB SD Sandisk memory card, a Lowepro carrying case (I much prefer my own pouches), a wonderful USB 2.0 SD card reader (like a memory stick), and a cleaning kit (of dubious use except for a nice lens brush).

I walked over to the store, got served by a lovely young woman (inexplicably wearing a scarf in NYC's heat) and had my new camera and accessories in under 10 minutes.

As with every camera and electronic gadgets I buy, I tried to work through the controls and settings without opening the manual. I got reasonably far, and was stumped a number of times, especially as I am used to a Canon "nomenclature". So I'll have to spend some time studying the manual after all.

I will soon test the GF1 and will post some of the street shots here. However, my first impressions holding it, shooting a few interior shots and so forth, gave me a sense that it's a solidly-built small camera. Not a point & shoot, not a rangefinder...but a hybrid in between the two.

Darren Ornitz: East Africa


Today I'm featuring the work of Darren Ornitz, who as a freelance photographer, traveled for 14 months in Africa and Asia including Zimbabwe, Ethiopia, Yemen and Oman.

Quite a number of photographs in Darren's East Africa gallery are of Lalibela, one of Ethiopia's holiest cities, and a center of pilgrimage for much of the country. The population of Lalibela is almost completely Ethiopian Orthodox Christian, and having spent a few days there photographing during the Epiphany celebrations, I can only describe it as "Biblical".

Part of the East Africa portfolio are some photographs of Zanzibar, and more specifically Stone Town. A UNESCO listed old city, Stone Town was David Livingstone's base when preparing for his final expedition in 1866. The above photograph is of Stone Town.

Darren studied at the S.I. Newhouse School of Public Communications at Syracuse until transferring to Fordham.

Tuesday, June 1, 2010

One Million Visitors!


I'm immensely gratified that since inception in mid-January 2007, The Travel Photographer blog has now received a total of 1,000,000 visitors!

What originally started as a lark has taken a life of its own, and The Travel Photographer blog seems to have its comfy little place place amongst other photography blogs. A million visitors is a drop in the ocean for blog behemoths, but for this one-man blog, it's enormous.

I sometimes hesitate in calling it a blog, because in reality it's more of a compilation of photo-essays, galleries (my own but mainly by others), multimedia, occasional geo-political rants and diatribes (some serious others downright silly), opinions (some ridiculous and others touching a nerve or two) and whatever else took my fancy.

However, nothing is more gratifying that getting emails from photographers expressing appreciation for being featured on The Travel Photographer....and responding as best I can to requests for advice and guidance virtually every day.

I hope the best is yet to come as Sinatra and Bennett told us....but in the meantime, I've got to run...I can hear my blog yelling "Feed Me!".